Kevin Opstedal
Photographs by Pamela Dewey
Rare Surf, Vol. 2
Figure The Cumulative Effect As Mileage
a tropic redundancy ditches itself at last
in overlapping sheets of clear cobaltyou strike it with a hammer to get that
familiar ring above the mumbling
incoherencies of the swell--I'm living inside the implications of that
If you detach the wind from the leaves
the ambient long-distance muddy green intervals
haul in forgotten Hawaiian war chantsto body-slam the alluvial symmetry
expressed as a curve reaching up over itselfnot quite humanoid enough to talk to
Disposable Camera
Sand Formations
feeling invulnerable (numb) stealing a page from
some blue manual of piety I'm not sure what it
means but I understand how tiring it must be
learning how to breathe againSomething Outside
I find her at a beach I only
remember in dreams
where the pupils of her eyes were
prayers pinned to sky black canvas
& you could hear the shoes of nuns
at a midnight processionI Am Thinking of a Wave
This is your formal invitation to death by drowning
Dawn Patrol
Waking too early with colors I assume are there
because the sun filters down through irradiated kool-aidthe electric turquoise effect in particular is stunning it squats in my hand
only a few inches above the coast highwaylike the patron saint of big waves out there running with the winter swell
or pausing briefly at yonder taco stand to consider the karmic value ofbeer for breakfast with Keanu Reeves
Paddling Out
when God leans over to
scrape the sun off the horizon
blatant insinuations of mortality
might ring bells in Valhalla
but here we just shift into
lonely music
Kahuna Classics. Melodrama. The Shimmy.
The Twist. Lyme disease. Etc.the cosmic lounge act
playing nonstop inside the cells I can feel migrate
from aqua tides dragging up pearls like rosaries you fingerbeneath a shallow sky
where the sun has spent the better part of the day proving itself
to the pavement I guesssuch a sad cup to drink from in the end
which is just beginning its
split-second rendezvous with some future life you've
managed to postpone up to nowis stained a nervous blue
the wind cuts through . . .
it sounds a little like an electric ukulele
you play with your teeth
when you're asleep
Fading like a feather of excess acetylene
drinking cough syrup with John Keats
in a dream
on the bluff at Pacific PalisadesI can see the little warning lights of madness
fickering in his heavily medicated
bloodshot eyes& leaning into the cold wind
strains of surf guitar
slicing in off Santa Monica Bayand so Baja, Punta Baja,
Pipeline, The Wedge, High Tide (by the Lively Ones)
lend a dark twang to the
clear almost perfect blueas if this wasn't the End of Days . . .
O angel of the abyss
Milarepa filter cigarette
The Drowning Man Knows His God
now that you've turned into a greaser I guess there's nothing left
but rain
& all the doomed puppies of El Dorado . . .* * *
We are near Point Dume
I wonder if Kathy is still there waiting for
me I told her I'd be right backbut then that was in 1974
* * *
in my personal doomsday prophesy
San Francisco will have to burn again until
a tsunami of biblical proportions
douses the flames& then the New Messiah will arise from the ruins
they'll call him Flipper
Needles on the Beach
1./ Once Steve McQueen gets hold of the 12-gauge pump shotgun
in The Getaway all prior theories of prosody turn into a thin brown
fluid of some sort.2./ Dr. Strangelove, on the other hand, should be seen on a double-bill
with The Manchurian Candidate & the collected poems of
Gerard Manley Hopkins.It might lead to some mirth.
3./ The last time I had mirth it came with an ankle rash.
3a./ Insert here a vision of St. Jude carrying a water pistol & a
framed photograph of Pearl Buck."I don't know man, my heart got lost in transit."
I read "lonely" ocean when the word was "lovely"
(must be something wrong with my eyes, but then, why not
"lonely ocean"?
Tracks
of filtered light
shafting through stained-glass camouflage
drains the sunset
broken up with headlines
of what's lost & won
I can't call
love
for example turning
her wrists a kind of silver
against the glassy surf the
shimmer of that reflected--When the wind picks up in the eucalyptus
like a vacuum cleaner surfacing in the South Pacific
I get the bends
Island Whammy
This is where the pavement meets the sea
all solid WHOMP
& the light is folded over the edge of the sky
like a blurry panel truck somewhere between here & there,
mid-stream, casting rogue shadows upon the pavementgray-black palm fronds & washed out silhouettes
as though preordained
to exploit the limits of a vague yearning I can't shake
a partial color (as it is) parked in the sky
which is a habit I meant to explore at a later dateas if a change might occur the
way the air of her own speed had
disentwined
& I was expecting a different kind of
tragedywhatever happens to be flickering in the distance is enough for me
I never asked for anything more or less than that
Fadeaway
we'll wait until we hear the ocean
recite its secret alphabetMe in my dark robes & you
wearing the standard issue
seaweed & pearlsThe sun dragging through the
sky the mists of time clearing
just a little bit . . .nothing you haven't already seen before
sinking to the bottom of all this
darkness
means it's still dark but
gets darkerlike a ukulele solo gone bad
our fingers had a purpose then
like leaves falling or wings& the sound of waves
told us everything we
never wanted to know
Playa de los Muertos
The inside of my skull felt as though it had been scraped with a table spoon. I spoke to leaves that skittered past on the pavement. Time sped up then slowed down to an agonizing crawl. If it was true that the mind & the body were one then I was fucked. Once on a beach just north of Malibu I left my body for a while I think. I watched walls of sheet glass stand up like vertical swimming pools then crash soundlessly in on themselves. It was all very quiet. The girl I was with said later that she thought I had died. I thought so too but didn't want to say so. She had blue eyes that seemed almost silver. There were broken things in her head. I guess that was something we had in common.
Win a Free Trip to Hawaii
it was the color of rain bleeding
at the gate with shattered roses
noted in a dark leather journal likeHerman Melville or Flavor Flav
& I heard guitars rustling overhead . . .the Pacific Ocean konked-out from here to Shanghai
in the next room hands are folded over a spoon
medicine evaporating snapshots a Chevy Malibu
allegedly blessed by the Pope
peels out on the wet pavementLight & dark breaks everything into waves
zeroing-in on a cracked mirrorto camouflage Eternity
like a tropical disease& so you figure the palm trees are psychic
coloring in shadows between lines worn thin
the veins in your wrist
glowing like neonjust beneath the skin
South of No North
sharks patrol the reef
yet I keep returning like a ghost
veering past flamingos
distracted by a sky that just won't stand still . . .One jungle flower burning under glass
another dropping lucite petals
check the way they dissolve into
shadows of themselvesslanting in off forgotten seas
fluttering like cement flags at dawnI think of those lines from Hagakure
about being bathed in blood & climbing over the
bodies of the dead like Jackson Pollocknodding out with bubble sounds
half a mile away
reinterpreted as bells
underwater
Rare Surf, Vol. 2
The Collected Poems of Arthur Rimbaud
some pearl dust you peer through
& maybe breathe in a little now & then
switching on the porch lights of X-ville
in your head
feathery surf revisitedTuesday last (the feast of St. Samurai)
The sun peeling away the layers of ocean fog
for those who come here to die
1) in dreams half-formed, or
2) in the vacant lot behind the taco standSpringtime in Purgatory
when an ambulance passes you say a prayer
while I figure someone just got lucky
Banzai Ghost Train
resilient EMERALD water sloshing against the
rocks on the shore there late night early morning
in time
I figure Mesozoic
& what must have been one of the
all time hit tunes of that era
a kind of surfy doo-wop . . .ancient palm trees in the flapping black tarpaper winds
"close your eyes & it will all go away"
(not really)the waves beginning to hollow out
breaking left along the reef
with the first rays of morning light dropping in
& carving back up
to the lip of the curl
The Road to Xanadu
Bronze sky. Leaving.
1. California
2. The Fortress of Solitude
3. some future world I only just read aboutThe douglas iris is in full bloom along the gravel
in the grass there on the way to RCA beachI thought
is blue diamond flame
is green & secret
is bleeding(the sky wasn't bronze it was DARK)
Slaughter on Duxbury Reef
The Ventures' version of this is more thin & terror laden
punching out the god responsible & detonating drum sets
Night of the Iguana
Something external to blame for
hesitations implied
I thought I heard her humming
Amazing Grace
for a moment there
painting shadows on the floorI like it that she has two eyes
a nose & a mouth
I like that there's an ear on
either side of her head
& that her hair falls like dark
water down past her shoulderslike Our Lady of Malibu at vespers
or Guadalajara in a rusted bottle
drifting out
on the subliminal tide
Floater
Blue, blue-white, aquamarine
Turquoise left standing in the
sun too long got
bleached outFaded sapphire
a little rusty at the edges
eventually gets profoundlending some translucence
to shadows rippling
on the surfacethat you
continuously misread
the feathered breezeletting the light
redefine your eyes
a momentto betray yr touch in
feathers of ashes like
the skin of a neon afterthoughtalready forgotten
Brazil
Most Latin roots have been
murdered in their sleep
still the double-edged blade of grace
doth cut a notch in darkness
where you in your post cool abstraction radiance
are lighting votive candles with an acetylene torch& turning a page you sift through the jade & agate
making me think of Montana--not the real
Montana but a Montana that was filmed in Mexico
variegated, blended in cloudslike those silver clouds we watched
break from the fog bank & ride
in on the swift breeze over the
blue-green surf you said & I whispered
as if in the language of sea shells
similar to that of discarded beer cans
or rain a vintage recording of flutes
& rockslides fed through a dull needleHold your breath jump from the window
we can tango as we fall
& maybe I should tell you this in Portuguese
beneath a sky the color of a Cadillac
far out at sea where the waves you
ride so flawlessly are born
Like November in Shades
& All the Money I Never Hadbroken glass & chunks of concrete
in my heart where you light a cigarette
bathed in the glow of the sun sinking
into a glass of Negra Modelo
& the silver on yr wrists
would blind the stars
I thought yes possibly so
the way horses are running in yr dreams
& yr eyes
translucent
& the wind rustling the leaves
& the windows are hopeless, lost
& maybe it was yr name I could just
barely make out in the jailhouse tattoo
fading against the bronze skin of the sky
crashing into the dark crumbling beauty of the
ocean out there spilling back
against the tide
when all you really need is a graceful exit line