Synchronicity
i looked at when the
futurist manifesto was
1909
1999
i thought of my grandfather, Ulysses, at Fiume with Marinetti,
D'
Annunzio, and of the other ancestor Federico Da Montefeltro &
the
beginning of the Renaissance!
i looked at the energy
the futurist movement brought to the century the
energy of change
charged with the wrenched blowing of a stifling stifled body
a tortured torturing energy of laceration on the way to laser-ration,
the
machine projecting forward & the human anguished cry mixing
with the roar of the mechanisms
foretelling the fight
between things that had always connected:
like ART & SCIENCE
look at art
intuitively manifesting the mold through the rendering of
the essential
weave of People—the living essence—
putting the imprint of that essence out in the ether—
forming the mold then to be filled by multiform spirit
and SCIENCE
being the first to follow:
look at the mosaic of the Middle Ages in which the quivering
image is
made of many unique different texels and each texel alone is
just a
fragment
all this telling us HIS-TORY ...
Then Giotto creating the concept of depth, of perspective, by
mirroring the
vision coming out from the eye of the watcher, for the first
time the
individual as centerpoint out of the mosaic,
that evolution created the new mold that Copernicus could
then fill
realizing that conventional reality after that looked too flat!!
...
Then perspective started
to snowball ... With man self-elected MASTER OF
creation ...
THE PRICE???
The use of tribal motifs
seems to be a spear hurled by Picasso in his
opening attack upon the walled citadel of perspective and casualty.
Umberto Boccioni, an Italian futurist, summed up the feelings
of the new
century artists when in 1911 he declared
"We are the primitives of an unknown culture"
In order to get the formidable
concepts of the new physics, it is first
necessary to let go of the belief that continuous linear space
underlies the
objective world, that time is an everflowing constant stream
outside human
affairs, that the world exists in the tessellation of the perspectivist
grid.
All these deeply ingrained beliefs were part of the conventional
nineteenth century paradigm.
The are not, however, integral to the next higher dimension of
spacetime
or the alogical aspects of quantum mechanics.
"THE WESTERN ARTIST DISCOVERED A NEW WAY TO SEE THE
WORLD THROUGH THE EYES OF THE ARTISTS OF AFRICA, THE AMERICAS
&
OCEANIA BEFORE PHYSICS BEGAN TO UNDERSTAND A COMMON
BOND BETWEEN ITSELF AND A WORLDVIEW LONG EXPRESSED
IN TRIBAL CULTURES" "ONE COULD SAY THAT THE IDEAS
OF
MODERN PHYSICS ABOUT SPACE & TIME WHEN CLOTHED WITH
CONCRETE PHYSICAL FORM APPEAR SHAMANIC"
T I M E I S
N O W
The war has been going
on; the broken circuits and the natural and
unnatural disasters and genocides of all kinds have taken place
only after the living through of the lacerations the survivors
connect
wounded warriors with heightened speeded grooved connections
this new dance of erotic
connection begins
erotic creation, the attraction that moves the planets
technology mirroring hu-manical hard drive
and the circuits start buzzing,
you can choose the speed, activate the links, decode and encode,
and...
"flow the blood the D.J. says"...
...where to?
speed through the fusion
points, bounce back hitting the nose
that damp vital spot, old sniffing tool,
on those silent dull dark rubber walls
that bounce you back over and over...
or on those sharp knives that pierce always in those dripping
live
festering wounds
...where to?
your tools sharp but
distorted
in the confusion between torture and nurture
...where to?
the energy coursing leaps
out of the narrow gorge, creates multi-pathways
across the broken circuits...GO
...SHIFTS to the tingling
hot slow glowing rising grooving overflow
HOW CAN YOU TELL WHERE
YOU ARE AT?
beyond the fragmented
mirrors of vivid dancing reflections in confused
fierce struggle?
THE FLOW AND THE LINKS
SHOW YOUR ATTENTION WHERE TO
POLARIZE
until the magnetic attraction of the flow to itself
speeds up, deepens the groove, burning all that needs to
be burned
but struggle spreads like fire on fuel
fire always burns but there are different kinds of fires
in the shifting fine
tuning of discrimination,
elusive dance of shadow and light,
echoes the laughter of the sacred trickster
FEEL AGAIN
where it's at...???
constriction and flow
death urge and life urge
torture or nurture?
they rhyme
but take a different line
feel
IS IT FINE?
there is erotic constriction
and erotic flow
POLARITY?
this choice is yours...
is it?
© by Paola Igliori
