Volume 1, No. 3


Editorial Notes

Credits/Bios

Feature: Way Out: A Poem in Discord, by Gregory Corso

Gregory Corso, 1930-2001:
A Special Tribute

Essays:
Hammond Guthrie's "Carmen McRae in the Rain"
Talan Memmott's "CD for Derrida: A Book/Ends Report"

Eco-Watch:
From Nanao or Never, environmental cases by Steve Brooks & Gary Lawless
Excerpt from Narrow Road to the Deep North, by Katherine McNamara

Reviews:
Adrien Begrand, on Eliot Katz's Unlocking the Exits
Ronnie Burk on Darlene Fife's Portraits from Memory: New Orleans in the Sixties

Renaissance:
"A Literary History of the San Andreas Fault: Bolinas Section" by Kevin Opstedal

Road:
Excerpts from The Paris Journals, by Michael Rothenberg

Politics:
Mary Sands's "Dance of the Coyote: The Weirdness of Coyote Killing" (contributing author, Nancy Zierenberg)

The Path:
Gary Lawless—three poems from Caribouddhism

Tea-Party:
Mike Topp's funnies
Art from Yacine Hachani's Walking in Balance

Fiction:
Andrew Gallix's "Sweet Fanny Adams"
Michael Largo's "Heirlooms"
John Sokol's one-act play "Words"

Poetry:
Keith Abbott, Lawrence Carradini, Renée Gregorio, Paola Igliori, Linda Lerner, Claudine Moreau, Daniel Nester, Pat Nolan, Ambar Past & John Oliver Simon, Maureen Owen, Sambarta Rakshit, Steven Stewart, Michael Sowl, Shirley Walker, Ron Whitehead, Jordan Zinovich

  About linked verse

Links
Archives
Submissions
Contact

Paul Grillo: Into the Retreat of Love City


Tributes to Gregory Corso: John Aiello, Eugene Anthony Barbieri, Adrien Begrand, Ronnie Burk, Lawrence Carradini, Ira Cohen, Steve Dalachinsky, Paul Grillo, Hammond Guthrie, Louise Landes Levi, Michael McClure, Mary Sands, skye, Laki Vazakas, Roberto Valenza


Art

Ira Cohen: Photographs of Gregory Corso
Paul Grillo: Collage artist throughout magazine;
photographs on his tribute page

Yacine Hachani: Art in Tea-Party
Mike Sentance: Flash animation on Editorial


The coyotes are quiet tonight:
No eyes gleam from behind
A screen of willow-brush and live oak.

And yet I hear their laughter
Coyotes laughing at the moon.

-Bill Hotchkiss (from "May Midnight")


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